Snowmobile Salvage New York

2010

Filmmaker: Alix Delaporte
Actors: Clotilde Hesme - Antoine Couleau - Evelyne Didi - Gregory Gadebois

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Strange film processing shift between two love stories. I just saw, one after the other two films are diametrically opposed. I first saw "Marriage Italian " where Sophia Loren and Marcello Mastroianni are fighting and love each other by yelling and that "Angela and Tony" where two characters spend the movie to feel the buttocks without lifting the jaw. Both films come together on this difficulty in communicating feelings that are often taken as being at risk for his fragile little heart. Both the Italian screams, as the French did in the taciturn sailor.

Angela (Clotilde Hesme ) lost his footing and ended up in jail. In fact, she was unable to maintain strong links with his son. Feelings of guilt and shame, a youth too immature and the anguish of a seriously impede the future unclear at this time restore the relationship with his kid.

In parallel, it seeks to reintegrate the job, maintain his parole and why not, fall in love, have a family that has probably contributed to explode before. In this regard, it is unclear what happened with the father and step-parents. These have custody of the child. My goodness, who cares. She tries to move on. And Tony could well be that "something else".

Tony (Greg Gadebois ) is just as stingy with words. That's the kind of guy to just look at you without answering the question you ask him, get the picture, not super convenient, for whom things are relatively simple, a pragmatic and especially someone who wants avoiding conflict, seeking peace, not like his little brother, Mad Dog has the anger and striking the word up. Gregory Gadebois comes from the "French Comedy," which gives home Sometimes the movies (which I should say ready) of very great actors. Actually, it was the major argument that caught my attention. And we must concede that his performance is not really stunning. However, how this role could buried highlight the talents of comedian? Difficult eh?

And in every way, the main character is one that plays Clothilde Hesme . In seeking to stabilize a life that is a party to rack and water, it also tries to regain the esteem of his kid, being a mother. In this it reminds me a lot to the character portrayed by Julie Gayet in "standing 8 times " Xabi Molia shot in 2009 but released last year.

and I'm thinking it is symptomatic of the state of our society, our patrols that two young emerging artists and a few months away the same type of character, engaged in close combat with similar concerns about their role as mothers in trouble financially. Symptomatic and disturbing, without losing hope. The crisis is definitely there. We must adapt. There, up on our screens.

The realization of Alix Delaporte is at times very academic: plans very postcard, oddly, punctuate a formal image sharper. As if the task to anchor the narrative in a particular landscape, a bit wild and hard, could explain the nature dry yet profound act of characters who prefer to say. Most of the time the camera is very close to the characters. In search of words or demonstrations are the expression of the hero. In vain. I am not convinced, nor charmed by a well defined style. But we must be lenient with a first embodiment.