Modern Dollhouse Decorating Styles

Déjà vu. exposure sampling

From March 10 to 19, 2010 Opening
Tuesday, March 9 18h - 21h30

Robert Breer - Philippe Cazal - Denis Darzacq - Richard Fauguet - Peter Fischli & David Weiss - Grimonprez - Michel Journiac - M / M (Paris) - Mathieu Mercier

Déjà vu gathers works and successive reviews that have been produced about them at previous exhibitions. Result of a police group led by university context, Déjà vu involves the plurality of discourses on the works. They are descriptive, analytical, poetic or ambiguous, news releases, press kits, catalogs or brochures cartels express a certain vision of the work and influence its reception. One exhibition to another, certain works stand the exegesis, while others lend themselves to a wide variety of comments. Expose not only works but also the discourses that have surrounded an opportunity to reflect on the impact of these in their interpretations: how a work can be transformed by its integration with a theme of exposure?
By offering a multitude of readings of works we make easier their understanding or otherwise, does it blurs the tracks? The speech did he emerge the substance of the work, or it escapes him she fatally? On the mode of sampling, the excerpts from various sources are combined to form a new entity, however fragmentary, and obviously not exhaustive. Rather than limiting the work in a predetermined reading, it is to affirm their openness to new interpretations.
Exploring the path of works from place to place, Déjà vu is a way to finally address the memory of exhibitions, at a time when the number of exhibitions of contemporary art is constantly increasing, the risk of saturating the minds.

A cultural program and a publication in partnership with Week, weekly magazine for contemporary art, complete the exhibition.

Déjà vu is a project conceived by the Class of 2010 Master 2 Science and technology exhibition at the University of Paris 1 Panthéon-Sorbonne, under the direction of Francoise Docquiert, and held in association Starts .

Rabbit Waterer Making

Déjà vu Déjà vu / / / Cultural Programming

Vendredi 12 mars – 20h Table Ronde : « Le document exposé » Avec Mathieu Mercier, Florence Ostende et Tristan Trémeau. Free admission, limited seating available.



Déjà vu places special emphasis on the text, the words form the cornerstone of the proposal and participate actively in its understanding. Whether images, records or other facsimiles, document, once thought to complement the exhibition schedule, tends now to be fully integrated. If an artist can easily use any document as a medium, the integration of extra-artistic by the Commissioner is not without question: what is the status of such objects? What impact did their presence on the works and their reception by the public? Through the use of documents or conversely, their refusal emerge under different possible exposure: is it a place of memory, knowledge, pure sensory experience? This roundtable will address the issues of the incursion of the document as close to work, citing notably different curatorial approaches being involved in this practice.



Mathieu Mercier : artist. Born in 1970, he lives and works in Paris. Winner of the Prix Marcel Duchamp in 2003, an exhibition devoted to it at the Musée d'Art Moderne in Paris four years later. In 2007, for the sixth time he takes the role of commissioner, with drift, an exhibition curated for the Fondation d'Entreprise Ricard. He is also founder and co-director of the Galerie de multiples. > mathieumercier.com



Florence Ostend critic and curator. She lives and works in Paris. She graduated from the Royal College of Art and Masters' Art History and English Literature. Guest curator for the 2010 program of the art center of the Maison Populaire Montreuil, she is currently in residence at the Palace Pavilion in Tokyo and is preparing an exhibition at the FRAC PACA in connection with his research on the history and archive of the show. She is also co-editor of the magazine and catalog writing for exhibition catalogs and magazines such as 20/27, art press, and Movement 02. > cataloguemagazine.com



Tristan Trémeau : criticism, art historian and curator. He lives and works in Paris, Brussels and Quimper. Editor of Art21, he regularly participates in Art Press, DDO, the art itself and ETC. It focuses its research on critical and curatorial aesthetic and ideological issues in contemporary art. > tristantremeau.blogspot.com







Tuesday, March 16 - 20h Word Artist: "The artist in his mid ® and in the exhibition" With Philippe Cazal. Free admission, limited seating available.



already seen this Collection (1990), a work-signed Philippe Cazal. The artist is interested in all areas of creation, art, advertising, fashion, communication, marketing ... and questions around its products instead of the artist. This Word is the opportunity to talk with him about his creation and his artistic approach. In this abundance of critical and curatorial, this moment to allow the artist to speak about his work and his environment (the studio, production, exhibition, collection, the art market ...).



Philippe Cazal : artist. Born in 1948, he lives and works in Paris and Bagnolet. The sources of inspiration Philippe Cazal are many: the city, the social, economic, political, poetic and also the position of the contemporary artist. In 1984 he ran as an "Artist" advertising in 1985, he transformed his name logo and develops its "brand" by diverting the codes of the universe marketing and advertising. > philippecazal.com





Thursday, March 18 - 20h Intervention: "What could he see? # 3 "With Damien Airault and Joel Riff. Free admission, limited seating available.



Damien Airault and Joel Riff meet for a third collaboration to focus on issues of inclusion and the viewer's memory. For this exclusive production at the exhibition, they seek to transform, through a multitude of documents, their initial context, comparing the nine works together to Déjà vu, environments in which they have already been seen.



Damien Airault : independent curator and art critic. Born in 1977, he lives and works in Paris. He directed the program of exhibitions of the Association The Commissioner since December 2008. Active member of the association Curators associates, he regularly writes for magazines Particles and Petunia. > second-agence.com



Joel Riff : curious. Born in 1984, he lives and works in Paris. He makes himself available to a maximum of exhibits, all contained in its archive and shared in various formats. In 2009, the record of his visits amounted to 2640. Texts, photographs, drawings and other protocols make up day after day the collection of evidence of a viewer stamina today. > curieux.over-blog.com





Friday, March 19 - 14h 18h Creative Workshop "From word to image ' With Jean-Baptiste Levee. Entry 5 €. Registration required: starte.asso @ gmail.com



Typography has a prominent place in the exhibition space Déjà vu. Typographia a word, is to divert the meaning is to make him say something beyond its statement. Physical matter of writing, typography is the encounter between a linguistic and a plastic sign, between an idea and shaping. This workshop explores the place of interpretation and visual representation through typography, serifs, fat ... Hosted by Jean Baptiste Levee, this creative workshop you explore the relationship between graphic design, typography, words, representations and interpretations.



Jean-Baptiste Closure: graphic designer and typographer. Born in 1981, he lives and works in Paris. Creator of typefaces Estienne graduate school, he co-founded the Office for typographical errors. It is also the delegate for France at the ATypI, teaches at the Technical University of Corte and the Academy Charpentier and regularly leads workshops and conferences. > opto.fr



More information: starte.asso @ gmail.com



Galerie Michel Journiac Université Paris 1 Panthéon-Sorbonne - UFR 04 - Centre St. Charles - 47-53 rue shepherds - 75015 Paris Free / Open Monday to Friday / from 13h to 20h Bus: Roundabout Saint-Charles (42) / St. Charles Convention (62) Metro: Lourmel (8) / Charles Michels / bleach (10) Javel RER (C)

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Noise in the blades ... Greater public debate

Below is a call to participate in the great debate citizen held in Dieppe coordination 76. Our region is particularly concerned by the development of industrial wind farms. Citizens have little voice on the subject, let alone the power to decide.
event of 19 February 2010 in our region, should mark a milestone in the fight against the wind and lies that surrounds their multiplication.
are invited personalities of national and international, that will explain why the wind did nothing to ecological, fair and effective in a true policy of sustainable development.